François and his girlfriend Pauline are spending the weekend in the country with a couple of friends, Clémence and Laurent. François has just been told of Clémence’s pregnancy. She was his girlfriend a long time ago.

Fragments of a collaboration between director Franco Piavoli (The Blue Planet, The First Breath of Wind) and students of the Laboratory Making Cinema founded by Marco Bellocchio.

UN DÍA DE MAYO (Becoming Mayo ) explores the emotional journey of Mayo, a young man burdened by unresolved trauma, who must confront his painful past to reclaim his passion for painting and embrace love. The film delves into the healing process, showing how creativity and vulnerability can break the barriers of fear and guilt.

The grass men - That's my duck! - Silence, Dvorak! -Kill that fly - Eat grass - Walkie Talkies - Fly fishing - The fan episode - Tourists under the bridge - The boat has a life of its own! - An American Anthem - The Canoe Ride Some blond idiots - Photo! - Hit the partner - Buckets falling from the sky! - Hunting in the mountains - The car has spasms - A flying umbrella! - Kicks in the butt - The top of the mountain - Tire throwing - The car goes alone! To catch a wheel - The river - A Cordovan quartet - Conservative throw - The water wells - Combat with umbrella - Trap with towel - Hip break - Gomerazos - Some children in the river - Drowning Kill the partner - A heron in the waterfall - Cross the river - He's a man of grass! - A shotgun for a deck chair - Shoot your neighbor - Aaaahhhh !!! - The last laugh - Dying, reviving and dying forever on the mountain

On the day of his retirement, Émile, a literature professor in Dieppe, gives his young students one last lesson on literature and love, encouraging them to become the poets of their own lives. A student asks him about his own feelings. Is Émile still in love with his wife? Unable to answer, he discovers, once he returns home, that his wife has left him. He is forced to apply his own precepts to himself. Two encounters and a reunion will then help him reinvent himself.

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This spectacularly brave (and nearly banned) 1979 pornographic experimental documentary, The Homosexual Century or Race d’Ep! in its original French title (which literally translates to “Breed of Faggots”) was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The Homosexual Century traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, The Homosexual Century is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows that traces the confluence between the development of photography in the 19th Century, and subsequent representations of homosexual desire. Photography, says the narrator, "created a new definition of ‘mankind" and gave the gay the means by which he could express his desires. In four dramatized chapters, covering the gay history of the 20th century – from Wilhelm von Gloeden’s late 19th-early-20th-century pastoral photographs of naked Sicilian boys to the sexual revolution of the 1960s, the timeless and highly relevant film pictures one century of oppression and empowerment as a reference work for its ability to stir public debate. (源自: TIDF 2024)

有美阿姨和洪大哥在遊民收容所中認識，也都因故離開原本的子女和家庭。背景相似的兩人開始相依為命，離開收容所到橋下過著困苦的生活，然而還有比經濟上更嚴峻的考驗在等待他們。

小岛即将淹没，但久居于此的阿娇还盼望着阿国的诺言而不愿离去，她一直等待着被娶进门的那天。束手无策的儿子阿熊只好无奈地从远方乘船而来，要把她带离这淹满水的家乡。然而，阿娇的一片痴情却掀起了阿熊淤积在心底的记忆，他意识到是儿时对阿国的一句话，让妈妈阿娇错过了她的青春流年。